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The Legend of the King (The Squire's Tales), by Gerald Morris
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In this final installment of the Squire's Tale series, Terence and his fellow Knights of the Round Table must come together in a last stand to save Camelot. The characters Gerald Morris has brought to life throughout his series—“Terence and Gawain, Lynet and Gaheris, Luneta and Rhience, Dinadan and Palomides"—each have an important role to play in this climactic final conflict. Maintaining their faith, selflessness, and honor, Arthur's court bands together to try to defeat Morgause and Mordred and banish the dark magic from England forever.
- Sales Rank: #808781 in Books
- Brand: HMH Books for Young Readers
- Published on: 2010-09-13
- Released on: 2010-09-13
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 1.13" w x 5.50" l, .95 pounds
- Binding: Hardcover
- 304 pages
- Great product!
From School Library Journal
Gr 5-8–Camelot is in ruins, nearly all the famous Knights of the Roundtable are dead, and Arthur is no longer on the throne. Or is Camelot just waiting to rise again? In this final title in the series, Morris once again makes the adventure, excitement, and magic of King Arthur and his court accessible to every reader. Arthur's illegitimate son, Mador, born to the great sorceress Morgause, has raised an army, the White Horsemen, and is massacring people across the countryside and blaming it on Arthur's knights. At the same time, Camelot is infiltrated by spies and the scandal of Lancelot's affair with the queen causes a division between Arthur and the great knight, though that is soon healed. And the door between the human and magical world closes. Through the mayhem, Arthur's England triumphs, but at the cost of nearly everyone who has appeared throughout this series. Yet the ending is hopeful and still possesses the magic of the legends. As with the earlier titles, Morris does not shy away from love or violence, but instead stays true to the feel and premise of the original tales while building on them. Reading the previous books is a necessity to understand all of the characters, although a list of them and the books in which they appeared is helpful. An excellent end to a worthwhile and well-written series that can be recommended to reluctant and skilled readers alike.Clare A. Dombrowski, Amesbury Public Library, MA
� Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
From Booklist
In this final title in the Squire’s Tale series, former squire Terence is still adjusting to knighthood when the White Horsemen, led by ruthless Mordred, threaten King Arthur. To protect Camelot, Terence and others embark on a dangerous, difficult quest to vanquish enemies, culminating in an epic, brutal battle between good and evil. Gracefully interweaving Arthurian legend, realistic and magical elements, humor, and heartbreak, the vivid prose brings events, settings, and new and returning characters to life. From ever-loyal Terence to kind enchantress Lynet, the characters’ interspersed stories and relationships create depth and suspense in an engrossing conclusion to a notable series. Grades 6-9. --Shelle Rosenfeld
Review
"Morris pulls off a spectacular conclusion to his humane and witty Squire's Tales series as destructive intriques both provide a backdrop for a fan-pleasing reunion of favorite figures from past episodes and lead up to the final battle between Arthur and his brilliant, hideously warped son Mordred. . . . Though the author doesn't shy from depicting the legend's tragic end, he does display authorial mercy in a set of aftermath scenes that ease the pain with a focus on healing and the future. Well done."—Kirkus Reviews,�starred review
"The knights' simplicity, honor, and kitchen-table philosophizing will continue to entrance readers, straight through to the end of this thrilling, elegiac, hope-from-the-ashes saga."—The Horn Book, starred review
Praise for Other Books By Gerald Morris:
The Squire's Tale
"Well-drawn characters, excellent, snappy dialogue, detailed desriptions of medieval life, and a dry wit put a new spin on this engaging tale." —Booklist
The Lioness and Her Knight
"Once again, Morris brilliantly re-animates an old story, keeping readers engaged while gently, genially urging them to ruminate over the truths at its heart."—Kirkus Reviews, starred review
The Princess, the Crone, and the Dung-Cart Knight
" Readers looking for page-turning adventure, a strong heroine, and some fun will find it all here." —School Library Journal
The Ballad of Sir Dinadan
"Fans of the previous titles or Arthurian legend in general will thoroughly enjoy Sir Dinadan, but it stands on its own as a lighthearted introduction to the period."—School Library Journal, starred review
Most helpful customer reviews
6 of 6 people found the following review helpful.
No kingdom lasts forever
By E. A Solinas
All good things eventually come to an end, and the same applies to Gerald Morris' clever fantasy series about King Arthur's knights. "The Legend of the King" follows Arthurian legend to its natural bittersweet conclusion-- and while there's plenty of loss and mayhem, Morris manages to give it a hopeful slant.
It starts with Gareth coming back to Camelot, and raving drunkenly about "looshe" women, the king, Lancelot, and the world in general. Then their sorceress mother appears to Agrivain, and encourages him to undermine the Round Table and its knights -- leading to a disastrous encounter with Lancelot, and the queen being accused of treason.
And the knights riding through the land encounter some sinister doings -- Mordred is riding through the land, claiming that a maddened Arthur is turning his armies on his own people. As the people of Camelot turn against each other and the kingdom begins to crumble from treachery and sorcery, Terence, Gawain and the small band of loyal knights must fight to the bitter end...
It sounds very depressing, but Gerald Morris manages to make "The Legend of the King" an experience that is both saddening and humorous. Anyone who knows about Arthurian lore will have a pretty good idea of how the story goes and how it ends, but Morris still manages to put his own quirkily fantastical spin on it.
There's still plenty of humor here ("Shall I send them a threatening message telling them that if they don't lift their siege at once, my wife won't cure their scabby bits?") and some lighter romantic moments. But there's a darker undercurrent even to the lighter stuff, and as the story winds to its inevitable conclusion, Morris fills his story with a feeling of sadness -- he really makes you mourn for the loss of Camelot and everything that might have been.
And despite that darker undercurrent, Morris manages to wrap up his saga in a surprisingly gentle style -- it's sad, but it's not depressing. And while he sticks to Arthurian myth, he manages to add his own spin.
And he spends the entire book revisiting all the beloved characters -- Terence, Gawain, Dinadin, Gaheris, Lynet, Morgan and even Arthur and Lancelot himself. It's a painful wrench to say goodbye to these characters, and Morris gives each one some powerful scenes (such as Arthur meeting his imprisoned wife) and strong storylines (Gaheris and Lynet dealing with a siege).
"The Legend of the King" is a strong, bittersweet conclusion to Gerald Morris' series, and he adds his own unique spin to the legends of King Arthur and his knights. His best work yet.
4 of 4 people found the following review helpful.
From Colossae to Camelot
By Eileen Cunningham
This is the last of a ten-book series called *The Squire's Tales*, but the first that I have read. The author, Gerald Morris, indicates in his "Envoi" (or Afterword) that his goal was to find a way to introduce a new generation to the Arthurian legend. I believe he has succeeded far beyond the attempt of Philip Reeve in *Here Lies Arthur*.
In terms of content, Morris has tweaked the supernatural elements of the Arthurian tales by introducing Hecate, the evil spirit from whom Morgause and others have received their powers. In Greek mythology, Hecate was associated with cross-roads. Hence, her position between the after-life and the here-and-now is apt, and Morris uses her as sort of a portal between the living and the un-dead, which is important in this volume since Morris has taken on the task of describing the exit of sorcerers from the world as well as the death of Arthur, which inevitably comes for the same reason it always has: the adultery of the queen and the treachery of Mordred.
Unlike Reeve's book where the "good guys" actually became the "bad guys," Morris's book has left Arthur's integrity intact but shows him as a flawed man, much in the way Shakespeare would have treated him had he attempted to do so. Using quotes from Yeats ("Things fall apart; the center cannot hold....") and Whitman ("...nothing collapses, and to die is different from what any one supposed"), Morris employs a concept of biblical proportions. As Paul of Tarsus wrote in his epistle to the believers at Colosae, Jesus Christ "is before all things, and in him all things hold together" (Col. 1:17). Without him, then, all things "fall apart." In general, the first chapter of Colossians deals with the "kingdom of darkness" in much the same way that Morris has written of Hecate, Morgause, and others in this novel.
The one difference from the biblical interpretation of sorcery is that in this novel (as in others in which sorcery has a role), there are "good" sorcerers and "bad" sorcerers. This is an interesting concept to me because what is "good" is still usually defined according to biblical teachings about serving others and even sacrificing one's own life. Yet we know that sorcery is off limits for those who follow Christ. That, I believe, is an issue worthy of discussion and one which Morris's readers should be encouraged to consider.
Since this was the first of Morris's books for me, I found the index of characters to be very useful. My only "plaint" is that the use of current American slang seems a bit corny almost everywhere it is used. I don't think young readers object to what one might call a medieval register. Still, Morris has succeeded in holding readers to the last page even though all familiar with the ancient legend know that Arthur must die--or, must he?
2 of 2 people found the following review helpful.
A hopeful conclusion to a delightful series
By Sheila L. Beaumont
Gerald Morris brings off an amazing conclusion to his lighthearted, warmly humorous "Squire's Tales" series. This tenth and final installment must have been quite a challenge to write, since readers familiar with the legend of King Arthur and the Knights of the Round Table already know that it isn't going to end well.
Necessarily darker than the previous books, "The Legend of the King" gathers together the characters we've come to know, among them Squire (now Sir) Terence, through whose eyes we were introduced to the story in the earliest books, Dinadan, Palomides, Parsifal, Gawain, Gaheris, and Lynet.
The author brings to life the machinations and deceptions that lead up to the disastrous final confrontation between Arthur and his son, Mordred: Morgause's masterful plot to undermine the unity of the Round Table, bringing about a schism between Arthur and Lancelot; Mordred's sowing of discontent throughout the land by sending his minions out to slaughter peasants and attributing these mass murders to a mad King Arthur and his knights.
Despite the darkened tone of this concluding installment, there's still plenty of the wit and humor we enjoyed in the earlier books, and the undeniably sad outcome of the story is leavened by a conclusion in which we see glimmers of hope and the beginnings of the Arthurian legend we know and love today.
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